‘We have far more power than we realise’: Challenging gender inequality in the theatre industry

Trigger Warning: Mentions sexual violence As part of our research, we have looked at the impact of various intersecting categories including class, race and gender on the experiences of freelancers. In this blog post, we discuss some of the themes that came up in relation to gender, and some ways to move towards greater genderContinue reading “‘We have far more power than we realise’: Challenging gender inequality in the theatre industry”

Identity and Giving Voice

Across the six micro commission sites, groups of freelancers responded to various prompts, drawing on themes that had come through strongly in our previous research, including the interviews and focus groups. Two of these prompts were Identity and Giving Voice, explored by groups in Plymouth and Newcastle upon Tyne. As researchers, we were interested inContinue reading “Identity and Giving Voice”

Theatre Freelancers’ Pandemic Geographies

How did theatre freelancers’ locations affect their experiences of the pandemic? How might the geography of theatre-making in the UK—by which we mean the physical location, distribution, and activity across the four nations—have been changed by events since March 2020? In order to address these questions, we have turned to our 397 survey respondents. AnalyzingContinue reading “Theatre Freelancers’ Pandemic Geographies”

On the media coverage of theatre freelancers during COVID-19

This blog is written by Jacob Rayner Blair and is based on research completed as part of a placement on the project Freelancers in the Dark, facilitated by Manchester Metropolitan University. Since the start of the COVID-19 pandemic there has been a rise in British news reports concerning freelance theatre workers. Since 1st January 2020Continue reading “On the media coverage of theatre freelancers during COVID-19”

Launching: Crowdsourced Timeline of COVID-19 and Theatres

Since the announcement of the COVID-19 pandemic in March 2020 we have witnessed unprecedented upheavals in our social and cultural lives. Policy has been announced and changed. Governments have U-turned. Lockdowns have been imposed and lifted. We have all tried to keep up with changing social restrictions. It’s been difficult to keep track of events.Continue reading “Launching: Crowdsourced Timeline of COVID-19 and Theatres”

Interim Report #1: The Future from Here

We are delighted today to be publishing our first report, The Future from Here: Theatre Freelancers and Planning for the Future During the COVID-19 Pandemic. The report details the emerging findings from our survey of theatre freelancers which ran from November 2020 until March 2021, and we would like to say a huge “thank you”Continue reading “Interim Report #1: The Future from Here”

Tell us: Organisations & Venues Survey

Launching today is our survey for Theatre Organisations and Venues. An important part of the Freelancers in the Dark project is to understand how freelancers and the role they play in the theatre sector are perceived. We’re also keen to understand how different kinds of support and relationships are emerging or being sustained between theatreContinue reading “Tell us: Organisations & Venues Survey”

Launching the Freelancers Survey

We are pleased to be launching our survey, an important tool with which to understand the effect of the COVID19 pandemic on freelance theatre workers across the UK. We hope to reach workers in a variety of roles, across all stages of their careers, and to represent the full diversity of people and skills thatContinue reading “Launching the Freelancers Survey”

Introduction to the Project from Holly Maples

COVID-19 has been devastating for many industries including the performing arts. The closures of theatres and outlawing of public gatherings have proven financially devastating to the theatre industry across the United Kingdom and, indeed, the world. The pandemic has sparked a wide range of industry-led strategies designed to alleviate financial consequences and improve audience captureContinue reading “Introduction to the Project from Holly Maples”