We are delighted today to be publishing our first report, The Future from Here: Theatre Freelancers and Planning for the Future During the COVID-19 Pandemic. The report details the emerging findings from our survey of theatre freelancers which ran from November 2020 until March 2021, and we would like to say a huge “thank you” to those who took part. We heard from 397 theatre freelancers, across all career stages and a variety of specialisms. We are only at the beginning of our analysis, and will continue to publish our emerging findings as we dig deeper into this data set, as well as integrate it with the data we are gathering through interviews and focus groups.
Our research project is focussed on the medium and long-term impacts of the COVID-19 pandemic on the field of theatre freelancers, and by extension the UK theatre sector as a whole. Our survey echoed this interest, asking theatre freelancers to tell us about their plans for the future and how they have evolved since March 2020. This generated a wealth of fascinating reflections in free-text answers which made clear that theatre freelancers’ future planning was being influenced by lived experiences in their entangled professional and personal lives. Beyond the economic (dis)incentives facing theatre freelancers, we became interested in other experiences—political, cultural and emotional—that appeared to be impacting how theatre freelancers are planning for their future careers. For this reason, we placed theatre freelancer’s hopes and fears for the future at the centre of our analysis, and we will take up these themes in future publications. We also offer early recommendations for policy and practice with a view to limit the flow of freelancers leaving the industry, taking their vital skills, perspectives and creativity with them.
Our report speaks to the Creative Industries Policy and Evidence Centre’s (PEC) fortnight of research and policy on creative freelancers, “One Size Can’t Fit All.” PEC’s series is highlighting the unique struggles faced by freelancers across the creative industries, whose existing precarity has often been compounded by the gaps in government and industry support packages. As Julieta Cuneo writes in the opening blog:
“It is vitally important that the government provides targeted support for freelancers. Not only for when venues in the UK do finally reopen over the next few months—as per the Prime Minister’s recently introduced roadmap out of lockdown—but for the long-term health of the creative sector.”
The next steps in our analysis will include integrating the data from across our different methods. This will allow us to get close to the lived experiences and emotional realities of theatre freelancers, while positioning them in their wider professional field. We are also prioritising analysing inequalities and their intersections in order to illuminate further the differential impacts that the pandemic is having across sections of the freelance workforce. Follow us on social media or sign up to our monthly mailing list to hear about our future publications. You can find the report in two formats (PDF and online) here.
Launching today is our survey for Theatre Organisations and Venues. An important part of the Freelancers in the Dark project is to understand how freelancers and the role they play in the theatre sector are perceived. We’re also keen to understand how different kinds of support and relationships are emerging or being sustained between theatre freelancers and organisations/venues during the lockdowns and interruptions created by COVID19. To see more about the whole project and all the different elements, please click here.
We invite theatre organisations and venues of all shapes and sizes, commercial and non-profit, who produce and/or present theatre, and deliver theatre projects (youth and community theatre, etc). We are keen to also hear from multi-artform organisations who include theatre as part of their programme. Please also share this with organisations and venues as widely as possible – the wider and more diverse range we capture, the better picture we will form.
The survey is open until 19 March 2021 and takes about 10 – 15 minutes to complete. We are asking a couple of questions about staffing figures and it may be useful to have these to hand before you start. To complete the survey, please click here. There is an audio play button to assist with survey completion if you require it. If you would like assistance completing this survey, please contact us through the project email or using the contact form on this site. See here.
The data we gather from this survey is anonymous and will be added to the other information we gather from all the different parts of the project. You can see all of our strands of data collection on the ‘Take Part‘ page.
We are pleased to be launching our survey, an important tool with which to understand the effect of the COVID19 pandemic on freelance theatre workers across the UK. We hope to reach workers in a variety of roles, across all stages of their careers, and to represent the full diversity of people and skills that make up this workforce.
Our survey of freelancers is particularly interested in the experience of being a theatre freelancer in the UK since March 2020. The project as a whole is concerned with the social, cultural and economic impact of the COVID19 pandemic, and the survey addresses all of these issues. Through it, we hope to build a holistic understanding of how these issues intersect, and to be able to back up our other research strands with quantitative data.
This survey, aimed at people who consider themselves theatre freelancers, is only one aspect of our data collection. We have also been running interviews and will continue with a suite of qualitative methods throughout 2021. Follow us on Twitter to hear more about these. We are also launching a survey aimed at employing organisations to examine the support they have been providing freelancers. You can see all of our strands of data collection on the ‘Take Part‘ page.
Taken together, all of our data will not only help document the collective strategies of freelancers during and in the immediate aftermath of COVID19, but also help the sector develop a plan to address the challenges facing freelancers in 2021. We will be publishing reports, articles and holding events to facilitate communication with support networks across the UK, and increase resilience in the sector. Every participant in our research is a vital part of making this as impactful as possible.
The survey takes around 20 minutes to complete, and consists of both tick-box and free text questions. It is open until March 19th, 2021. All information on consent and the use of data can be found on the frontpage of the survey, or here. If you have any questions, please feel free to get in touch.
Thank you very much for considering completing this survey. Please do share it with your networks; the more people we hear from, the more powerful our work will become.
COVID-19 has been devastating for many industries including the performing arts. The closures of theatres and outlawing of public gatherings have proven financially devastating to the theatre industry across the United Kingdom and, indeed, the world. The pandemic has sparked a wide range of industry-led strategies designed to alleviate financial consequences and improve audience capture amidst social distancing. COVID-19 has affected all levels of the sector but poses an existential threat to freelancers—Independent Arts Workers (IAWs)—who make up 70% of the industry workforce in the UK. The crisis has put a spotlight on the vulnerable working conditions, economic sustainability, diversity of the workforce, mental wellbeing, and community support networks for freelancers. The pandemic has highlighted how freelance theatre workers are often overlooked, but it is their very precarity that makes them pioneers of adaptability responsible for key innovation within the sector. They are essential to the future resilience and regrowth of the theatre in the aftermath of COVID-19.
The UKRI ESRC funded study, Freelancers in the Dark provides a grassroots investigation of the economic, cultural, and social impact of COVID-19 on UK theatre freelancers from across the country. Our 2020-2021 study explores in real-time the wide-ranging challenges and creative solutions being made, discussed, and interrogated by freelance theatre workers and the institutions, networks, and arts organisations who support them. We are investigating connections between the financial consequences of COVID-19 and creative strategies for industry survival including social support networks, communication initiatives between arts venues and freelance theatre workers, and the development of mixed-media work in the wake of the pandemic. Our study scrutinizes the economic, cultural, and social impact of COVID-19 on freelance theatre workers and the organisations that serve them with the aim of informing strategies for sector recovery.
The images on this website have kindly been provided by Nina Dunn, and are all part of The Dark Theatres Project.
Nina is an award-winning video designer who has worked extensively in theatres across the UK and internationally. She began to document London’s dark theatres after they suddenly closed as lockdown in began in the UK, in mid March 2020. Nina gained access to a number of theatres across London’s West End, documenting the empty theatre spaces and telling a story of the industry in these unprecedented times.
“It was as if somebody had just said “Out, now!”, and people had left, knowing that they wouldn’t be coming back”
Cameron Slater -Photographer
Capturing this unique moment in history, The Dark Theatres Project tells stories of the blanket closure of theatres across the UK. As well as taking photographs, Nina conducted interviews with those affected by the closures. As such, the project captures insights from a selection of people who usually inhabit these buildings and bring them to life. Combining these interviews and stunning photography, the project shows every corner of the buildings as they wait for their next chapter, telling a larger story of a sector shaken by continuing uncertainty.
“It’s the weirdest feeling knowing that a whole part of my life exists in a space I haven’t seen in months”
Natalie McQueen – Performer
Initially born from Nina’s artistic curiosity, the artist realised that the project could also help to support those who have lost their livelihood during COVID-19. Donations and the proceeds from various products, including prints, a coffee table book and face coverings, will help nominated charities that are supporting workers and buildings until they are able to return: Backup, who support technical professionals in live events, theatre, TV and film; The Theatrical Guild, a charity for front and back-stage theatre workers; The Theatres Trust, the national advisory public body for theatres; and Acting For Others, a collation of 14 charities providing emotional and financial support to theatre workers.